Acknowledgments
Page 12-13
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Scope and Arrangement of the Bibliography
Page 14-15
Descriptive Elements
Page 16-16
Sources Consulted
Page 17-17
Location Symbols
Page 20-21
A Section: Separate Publications
Page 44-238
-----A1 Shakespeare’s Boy Actors. 1939
Page 44-45
-----A2 Shakespeare for Young Players: A Junior Course. 1942
Page 46-47
-----A3 How Stupid Is Canada? [1946]
Page 48-48
-----A4 The Diary of Samuel Marchbanks. 1947
Page 48-51
-----A5 Overlaid: A Comedy. 1948
Page 52-53
-----A6 Eros at Breakfast and Other Plays. 1949
Page 54-55
-----A7 Fortune, My Foe. 1949
Page 56-57
-----A8 The Table Talk of Samuel Marchbanks. 1949
Page 58-60
-----A9 At My Heart’s Core. 1950
Page 61-63
-----A10 Tempest-Tost. 1951
Page 64-68
-----A11 A Masque of Aesop. 1952
Page 69-70
-----A12 Leaven of Malice. 1954
Page 71-78
-----A13 A Jig for the Gypsy. [1955]
Page 79-79
-----A14 A Mixture of Frailties. 1958
Page 80-87
-----A15 Battle Cry for Book Lovers. 1960
Page 88-88
-----A16 A Voice from the Attic. 1960
Page 89-94
-----A17 Literature and Medicine. 1962
Page 95-95
-----A18 A Masque of Mr Punch. 1963
Page 96-97
-----A19 In Memoriam: Lionel Vincent Massey 1916–1965. 1965
Page 98-98
-----A20 [Gaudy night broadside. 1965]
Page 98-98
-----A21 Massey College Calendar 1966–1967. 1966
Page 98-98
-----A22 [Gaudy night broadside. 1966]
Page 99-99
-----A23 At My Heart’s Core & Overlaid. 1966
Page 99-101
-----A24 Massey College Calendar 1967–1968. 1967
Page 102-102
-----A25 Marchbanks’ Almanack. 1967
Page 102-103
-----A26 [Gaudy night broadside. 1967]
Page 104-104
-----A27 Massey College Head Remembers Vincent Massey. 1968
Page 105-105
-----A28 In Memoriam: The Right Honourable Vincent Massey 1887–1967. [1968]
Page 105-105
-----A29 The Voice of the People. 1968
Page 106-106
-----A30 Four Favourite Plays. 1968
Page 107-107
-----A31 [Gaudy night broadside. 1968]
Page 107-107
-----A32 [Gaudy night broadside. 1969]
Page 108-108
-----A33 Stephen Leacock. 1970
Page 108-109
-----A34 [Citation of Dora Mavor Moore for Honorary Degree]. 1970
Page 110-110
-----A35 Feast of Stephen. 1970
Page 111-112
-----A36 The Other Leacock [program poster]. 1970
Page 113-113
-----A37 The McFiggin Fragment. 1970
Page 114-114
-----A38 Fifth Business. 1970
Page 115-123
-----A39 [Gaudy night broadside. 1970]
Page 124-124
-----A40 The Heart of a Merry Christmas. 1970
Page 125-125
-----A41 What Do You See in the Mirror? 1970
Page 126-126
-----A42 [Gaudy night broadside. 1971]
Page 127-127
-----A43 Hunting Stuart & Other Plays. 1972
Page 127-128
-----A44 The Manticore. 1972
Page 129-135
-----A44a An Evening with Ben Jonson [program poster. 1972]
Page 136-136
-----A45 [Gaudy night broadside]. 1972
Page 137-137
-----A46 [Gaudy night broadside]. 1973
Page 137-137
-----A47 [Gaudy night broadside]. 1974
Page 137-137
-----A48 Question Time. 1975
Page 138-138
-----A49 World of Wonders. 1975
Page 139-143
-----A50 [Gaudy night broadside. 1975]
Page 144-144
-----A51 [Gaudy night broadside. 1976]
Page 145-145
-----A52 One Half of Robertson Davies: Provocative Pronouncements on a Wide Range of Topics. 1977
Page 145-148
-----A53 [Gaudy night broadside]. 1977
Page 149-149
-----A54 [Gaudy night broadside. 1978]
Page 149-149
-----A55 The Enthusiasms of Robertson Davies. 1979
Page 150-153
-----A56 [Gaudy night broadside. 1979]
Page 154-154
-----A57 [Gaudy night broadside]. 1980
Page 154-154
-----A58 The Well-Tempered Critic. 1981
Page 155-155
-----A59 The Penguin Leacock. 1981
Page 156-157
-----A60 Brothers in the Black Art. 1981
Page 158-158
-----A61 The Rebel Angels. 1981
Page 159-163
-----A62 On Being a Professional. 1981
Page 164-164
-----A63 High Spirits. 1982
Page 165-167
-----A64 Thirty Years at Stratford. [1983]
Page 168-168
-----A65 The Mirror of Nature. 1983
Page 169-170
-----A66 The Deptford Trilogy. 1983
Page 171-173
-----A67 Introduction to The Papers of Samuel Marchbanks. 1985
Page 174-174
-----A68 What’s Bred in the Bone. 1985
Page 174-179
-----A69 The Papers of Samuel Marchbanks. 1985
Page 180-184
-----A70 The Salterton Trilogy. 1986
Page 185-186
-----A71 The Lyre of Orpheus. 1988
Page 187-194
-----A72 [folio Society promotion leaflet. 1990?]
Page 195-195
-----A73 Opera and Humour. 1991
Page 195-195
-----A74 Murther & Walking Spirits. 1991
Page 196-203
-----A75 The Cornish Trilogy. [1992]
Page 204-204
-----A76 Reading and Writing. 1993
Page 205-205
-----A77 An Introduction to the Twenty-First Toronto Antiquarian Book Fair. 1993
Page 206-206
-----A78 Jezebel: The Golden Tale of Naboth and His Vineyard, and of King Ahab and His Wicked Queen. 1993
Page 207-207
-----A79 Revelation from a Smoky Fire. [1993]
Page 208-208
-----A80 Why I Do Not Intend to Write an Autobiography. 1993
Page 209-209
-----A81 Two Plays: Fortune, My Foe & Eros at Breakfast. 1993
Page 210-210
-----A82 A Return to Rhetoric. 1993
Page 211-211
-----A83 The Cunning Man. 1994
Page 211-217
-----A84 Two Plays: Hunting Stuart & The Voice of the People. 1994
Page 218-218
-----A85 The Dignity of Literature. 1994
Page 218-218
-----A86 A Christmas Carol Re-Harmonized. 1995
Page 219-219
-----A87 A Gathering of Ghost Stories. 1995
Page 220-220
-----A88 Animal U. 1995
Page 220-220
-----A89 The Merry Heart: Selections 1980-1995. 1996
Page 221-224
-----A90 Happy Alchemy: Writings on the Theatre and Other Lively Arts. 1997
Page 225-227
-----A91 The Golden Ass, a Libretto. 1999
Page 228-229
-----A92 For Your Eye Alone: Letters 1976-1995. 1999
Page 230-232
-----A93 Discoveries: Early Letters 1938-1975. 2002
Page 233-233
-----A94 The Quotable Robertson Davies: The Wit and Wisdom of the Master. 2005
Page 234-234
-----A95 Selected Plays. 2008
Page 235-235
-----A96 Selected Works on the Pleasures of Reading. 2008
Page 236-236
-----A97 Selected Works on the Art of Writing. 2008
Page 237-238
B Section: Contributions to Books
Page 239-296
-----B1 “Diary of Christmas Excitement” in Souvenir Edition Examiner for the Annual Christmas Party 1945. 1945
Page 239-239
-----B2 “The Theatre: A Dialogue on the State of the Theatre in Canada” in Royal Commission Studies. 1951
Page 239-239
-----B3 Preface, “The Director,” and “The Players” in Renown at Stratford: A Record of the Shakespeare Festival in Canada 1953. 1953
Page 240-241
-----B4 Statement for playbill A Jig for the Gypsy. 1954
Page 242-242
-----B5 Preface, “Rehearsal—A Study in Rhythm,” “The Taming of the Shrew,” “Measure for Measure,” and “oedipus Rex” in Twice Have the Trumpets Sounded: A Record of the Stratford Shakespearean Festival in Canada 1954. 1954
Page 242-243
-----B6 Introduction to B.K. Sandwell’s The Diversions of Duchesstown and Other Essays. 1955
Page 244-244
-----B7 Preface, “Julius Caesar,” “King oedipus,” “Merchant of venice,” and “A note on Style in Acting” in Thrice the Brinded Cat Hath Mew’d: A Record of the Stratford Shakespearean Festival in Canada 1955. 1955
Page 245-246
-----B8 “Sherry Trifle” in We Can Cook Too! Recipes Hot Off the Press. 1956
Page 247-247
-----B9 “Stephen Leacock” in Claude T. Bissell, ed., Our Living Tradition: Seven Canadians. 1957
Page 247-247
-----B10 Introduction to Stephen Leacock’s Literary Lapses. [1958]
Page 248-248
-----B11 “Shakespeare over the Port” in B.A.W. Jackson’s Stratford Papers on Shakespeare. 1961
Page 249-249
-----B12 “The Theatre” in D.C. Williams’s The Arts as Communication. 1962
Page 250-250
-----B13 “Changing fashions in Shakespearean Production” in B.A.W. Jackson’s Stratford Papers on Shakespeare. 1963
Page 251-251
-----B14 Testimonial letter in Lulie Westfeldt’s F. Matthias Alexander: The Man and His Work. 1964
Page 251-251
-----B15 Introduction to Stephen Leacock’s Moonbeams from the Larger Lunacy. 1964
Page 252-252
-----B16 “Stephen Leacock” in The Encyclopedia Americana. 1964
Page 253-253
-----B17 “The Implacable Educator” in Great Canadians: A Century of Achievement. 1965
Page 253-253
-----B18 Introduction to Horton Rhys’s A Theatrical Trip for a Wager! Through Canada and the United States. 1966
Page 254-254
-----B19 foreword to Ronald Borg’s Peterborough: Land of Shining Waters. 1966
Page 255-255
-----B20 “Prologue,” “ontario Scene,” and “Epilogue” in The Centennial Play. 1967
Page 256-256
-----B21 Program note for The Centennial Play. 1967
Page 257-257
-----B22 Program note for the play Caste. [1967]
Page 257-257
-----B23 “Letters: The Unfashionable Canadians” in John D. Harbron’s Century 1867-1967: The Canadian Saga. 1967
Page 258-258
-----B24 “note on A Midsummer’s night’s Dream” in Peter Raby’s The Stratford Scene, 1958-1968. 1968
Page 258-258
-----B25 “Some Reminiscences of W.L. Grant” in The W.L. Grant Fellowship in Adult Education. 1969
Page 259-259
-----B26 “Ben Johnson and Alchemy” in B.A.W. Jackson’s Stratford Papers 1968-69. 1972
Page 260-260
-----B27 foreword to Betty Lee’s Love and Whisky: The Story of the Dominion Drama Festival. 1973
Page 260-260
-----B28 “III Playwrights and Plays” in vol. vI of The Revels History of Drama in English. 1975
Page 261-262
-----B29 Autobiographical essay in World Authors 1950-1970: A Companion Volume to Twentieth Century Authors. 1975
Page 263-263
-----B30 Preface to Abraham Rotstein’s Beyond Industrial Growth. 1976
Page 264-264
-----B31 “Massey College” in William Kilbourn’s The Toronto Book: An Anthology of Writings Past and Present. 1976
Page 265-265
-----B32 Statement in advertisement flyer, Masks of Satan. 1976
Page 265-265
-----B33 Program note for “Pontiac and the Green Man.” 1977
Page 265-265
-----B34 Chapter Three, “Robertson Davies,” in Geraldine Anthony’s Stage Voices: Twelve Canadian Playwrights Talk about Their Lives and Work. 1978
Page 266-266
-----B35 “A note on ‘overlaid’” in Transitions I: Short Plays, A Source Book of Canadian Literature. 1978
Page 267-267
-----B36 Tribute in The Pierre Berton Celebration Dinner. 1979
Page 268-268
-----B37 “The Deptford Trilogy in Retrospect” in Studies in Robertson Davies’ Deptford Trilogy. 1980
Page 269-269
-----B38 Introduction to “Hope Deferred” in Anton Wagner’s Canada’s Lost Plays, vol. 3, The Developing Mosaic: English-Canadian Drama to Mid-Century. 1980
Page 269-269
-----B39 Introduction to Arnold Edinborough’s The Festivals of Canada. 1981
Page 270-270
-----B40 “Mixed Grill: Touring fare in Canada, 1920-1935” in L.W. Conolly’s Theatrical Touring and Founding in North America. 1982
Page 271-271
-----B41 “What the opera Is About” in Doctor Canon’s Cure, theatre program. 1982
Page 271-271
-----B42 foreword to Richard Perkyns’s Major Plays of the Canadian Theatre 1934-1984. 1984
Page 272-272
-----B43 Introduction to John Cowper Powys’s Wolf Solent. 1984
Page 273-273
-----B44 Introduction to Graham McInnes’s The Road to Gundagai. 1985
Page 273-273
-----B45 foreword to vol. 1 of John Pettigrew and Jamie Portman’s Stratford: The First Thirty Years. 1985
Page 274-274
-----B46 “What Is Canadian about Canadian Literature” in franz K. Stanzel and Waldemar Zacharasiewicz’s Encounters and Explorations: Canadian Writers and European Critics. 1986
Page 275-275
-----B47 Letter to nicholas Goldschmidt in The Peeled Eye: An Author in Canada, Guelph Spring festival program. 1986
Page 276-276
-----B48 “The novel as Secular Religion” in The Encyclopedia of Religion, vol. 8. 1987
Page 276-276
-----B49 Introduction to Robert finch’s Sail-Boat and Lake. 1988
Page 277-277
-----B50 “Massey, vincent” and “Massey, Raymond Hart” in Eugene Benson and L.W. Conolly’s The Oxford Companion to Canadian Theatre. 1989
Page 277-277
-----B51 “The only Creatures in All of nature Who Sing Are Birds and Mankind” in The Joy of Singing: 1989 International Choral Festival. 1989
Page 278-278
-----B52 Introduction to francis Thistleton’s How I Came to Be Governor of the Island of Cacona. 1989
Page 278-279
-----B53 Statement in James P. Carley’s Arthurian Poets: Edward Arlington Robinson. 1990
Page 280-280
-----B54 “A Chat about Literacy” in More Than Words Can Say: Personal Perspectives on Literacy. 1990
Page 280-280
-----B55 “on Macbeth” for the Stratford festival Theatre program for Macbeth. 1990
Page 281-281
-----B56 “Heartcry of an over-Solicited Donor” in Margaret Atwood’s Barbed Lyres: Canadian Venomous Verse. 1990
Page 281-281
-----B57 “on the Dangerous Edge” in Clifton fadiman’s Living Philosophies: The Reflections of Some Eminent Men and Women of Our Time. 1990
Page 282-282
-----B58 Chapter 4, “The nineteenth-Century Repertoire” in Ann Saddlemyer’s Early Stages: Theatre in Ontario 1800-1914. 1990
Page 283-283
-----B59 Untitled tribute in Christopher Bigsby’s Arthur Miller and Company. 1990
Page 284-284
-----B60 Introduction to Dorothy Sennett’s Vital Signs: International Stories on Aging. 1991
Page 284-284
-----B61 “Reading and Writing” in The Tanner Lectures on Human Values. 1992
Page 285-285
-----B62 “Reflections from the Golden Age” in The Greek Miracle: Classical Sculpture from the Dawn of Democracy: The Fifth Century B.C. 1992
Page 286-286
-----B63 “A Birthday Brindisi” in Red Jade Cups: John Espey at Eighty. 1993
Page 286-286
-----B64 “The value of a Coherent notion of Culture” in An Emerging North American Culture. [1993]
Page 287-287
-----B65 “A Try for Greatness” in Clare Boylan’s The Agony and the Ego: The Art and Strategy of Fiction Writing Explored. 1993
Page 287-287
-----B66 Introduction to Anthony Trollope’s He Knew He Was Right. 1994
Page 288-288
-----B67 “Tanya Moiseiwitsch: An Appreciation” in T.J. Edelstein’s The Stage Is All the World: The Theatrical Designs of Tanya Moiseiwitsch. 1994
Page 289-289
-----B68 Tribute in A Night in Old Vienna: A Tribute to Nicholas Goldschmidt. 1994
Page 290-290
-----B69 “Getting There” in Constance Rooke’s Writing Away: The PEN Canada Travel Anthology. 1994
Page 290-290
-----B70 “Leacock, Stephen (1869-1944)” in Eugene Benson and L.W. Conolly’s Encyclopedia of Post-Colonial Literatures in English. 1994
Page 291-291
-----B71 Introduction to Marie Elena Korey’s Elegant Editions: Aspects of Victorian Book Design. 1995
Page 292-292
-----B72 Untitled tribute to Robert Christie in Five Fond Tributes to Robert Christie. 1995
Page 292-292
-----B73 Introduction to Mabel Smith, Dick Beck, and Beth McMaster’s Peterborough Theatre Guild: The First Thirty Years. 1995
Page 293-293
-----B74 Afterword to Mavis Gallant’s Across the Bridge. 1996
Page 293-293
-----B75 foreword to Jerry Sontag’s Curiosity Recaptured: Exploring Ways We Think and Move. 1996
Page 294-294
-----B76 Libretto to The Golden Ass: A Two Act Opera. 1999
Page 295-295
-----B77 “Irving, Sir Henry” in H.C.G. Matthew and Brian Harrison’s Oxford Dictionary of National Biography, vol. 29. 2004
Page 295-295
-----B78 “Summers, (Augustus) Montague” in H.C.G. Matthew and Brian Harrison’s Oxford Dictionary of National Biography, vol. 53. 2004 C Section: Contributions to Periodicals (Newspapers, Journals, Magazines, and Annuals)
Page 295-296
C Section: Contributions to Periodicals (Newspapers, Journals, Magazines, and Annuals)
Page 297-392
-----1923–1939
Page 297-298
-----1940–1944
Page 299-331
-----1945–1949
Page 332-349
-----1950–1959
Page 350-370
-----1960–1969
Page 371-380
-----1970–1979
Page 381-386
-----1980–2004
Page 387-392
D Section: Reports of Speeches, Lectures, and Public Presentations
Page 393-401
E Section: Speeches and Lectures Given
Page 402-416
F Section: Interviews
Page 417-438
G Section: Unsigned Articles and Editorials
Page 439-466
H Section: Translations (organized under each language)
Page 467-473
I Section: Films, Recordings by Davies, Audio Books, and Braille
Page 474-485
J Section: Contributions in Articles and Books by Others
Page 486-493
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