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Figures and Tables
Page 8-9
Acknowledgments
Page 10-13
PART ONE: PLACING THE CITY
Page 34-191
-----1 What Made the Eurasian City Work? Urban Political Cultures in Early Modern Europe and Asia
Page 40-75
-----2 Global Yokels: Vernacular Manuscript Chronicles and Urban Identity in Early Modern Germany
Page 76-98
-----3 Renaissance Venice as a Musical Model for Copenhagen
Page 99-116
-----4 Walking The City Limits: The Performance of Authority and Identity in Mary Tudor's Norwich
Page 117-149
-----5 Rational Luxuries and Civilized Pleasures: Nationalizing Elite Parisian Values, 1848–49
Page 150-169
-----6 The "Divine Little City" and the "Terrible Town": Henry James on Florence and New York
Page 170-191
PART TWO: GENDER, MOBILITY, AND THE CITY
Page 192-255
-----Preface
Page 194-197
-----7 Exploring Edinburgh: Urban Tourism in Late Eighteenth-Century Britain
Page 198-215
-----8 Clearing the Streets: Blindness and Begging in Henry Mayhew's London Labour and the London Poor
Page 216-237
-----9 A Contested City: Gwen John, Suzanne Valadon, and Women Artists in Fin-de-Siècle Paris
Page 238-255
PART THREE: REDRESSING BOUNDARIES
Page 256-358
-----Preface
Page 258-264
-----10 Alls wie mann inn krieg pflegt zue thuen: Music and Catholic Processions in Counter-Reformation Augsburg
Page 265-283
-----11 "Madness in a Magnificent Building": Gentile Responses to Jewish Synagogues in Amsterdam, 1670–1730
Page 284-310
-----12 Between History and Hope: The Urban Centre of William Blake and William Wordsworth
Page 311-335
-----13 The Humours of Sailortown: Atlantic History Meets Subculture Theory
Page 336-358
Bibliography
Page 364-401
Contributors
Page 402-403
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