The first collection of scholarly essays on women and art in Canadian history.
Authors
- Bibliography, etc. Note
- Includes bibliographical references and index
- Control Number Identifier
- CaOOCEL
- Dewey Decimal Classification Number
- 700.82/0971
- Dewey Decimal Edition Number
- 23
- General Note
- Issued as part of the desLibris books collection
- Geographic Area Code
- n-cn---
- ISBN
- 9780773586833 9780773539662
- LCCN
- N8354
- LCCN Item number
- R48 2012eb
- Modifying agency
- CaBNVSL
- Original cataloging agency
- CaOONL
- Physical Description | Extent
- 1 electronic text (xxvi, 443 p.)
- Published in
- Canada
- Publisher or Distributor Number
- CaOOCEL
- Rights
- Access restricted to authorized users and institutions
- System Control Number
- (CaBNVSL)slc00230662 (OCoLC)812837107 (CaOOCEL)443449
- System Details Note
- Mode of access: World Wide Web
- Transcribing agency
- CaOONL
Table of Contents
- Cover 1
- Title 4
- Copyright 5
- Contents 6
- List of Illustrations 8
- Acknowledgments 18
- Preface 20
- Part One: Introduction 6
- 1 Professionalism as Critical Concept and Historical Process for Women and Art in Canada 32
- Part Two: Professionalizing Art 82
- 2 “What Would He Have Us Do?”: Gender and the “Profession” of Artist in New Brunswick in the 1930s and 1940s 84
- 3 The Rewards of Professionalization: Alice Lusk Webster and the New Brunswick Museum, 1933–53 112
- 4 “A Story of Struggle and Splendid Courage”: Anne Savage’s CBC Broadcasts of The Development of Art in Canada 135
- Part Three: Careers for Women 162
- 5 Hannah Maynard: Crafting Professional Identity 164
- 6 From Amateur to Professional: The Advertising Photography of Margaret Watkins, 1924–28 197
- 7 “I Weep for Us Women”: Modernism, Feminism, and Suburbia in the Canadian Home Journal’s Home ’53 Design Competition 223
- 8 Kathleen Daly’s Images of Inuit People: Professional Art and the Practice of Ethnography 254
- 9 The Girls and the Grid: Montreal Women Abstract Painters in the 1950s and Early 1960s 288
- Part Four: The Limits of Professionalism 312
- 10 “I Want to Call Their Names in Resistance”: Writing Aboriginal Women into Canadian Art History, 1880–1970 314
- 11 From “Naturalized Invention” to the Invention of a Tradition: The Victorian Reception of Onkwehonwe Beadwork 356
- 12 Professional/Volunteer: Women at the Edmonton Art Gallery, 1923–70 386
- 13 “Marjorie’s Web”: Canada’s First Woman Architect and Her Clients 409
- Contributors 430
- Bibliography 434
- Index 462
- A 462
- B 463
- C 463
- D 464
- E 465
- F 465
- G 465
- H 466
- I 466
- J 467
- K 467
- L 467
- M 467
- N 468
- O 468
- P 469
- Q 470
- R 470
- S 470
- T 471
- V 471
- W 471
- Y 472
- Z 472
