Mediated Associations builds upon current debates over the relationship between society and the cinema, and extends the critical dialogue that has been emerging between cinematic concepts and methods of social analysis. Drawing from a broad range of philosophical, sociological, cultural, media, and cinema theorists, Daniel O'Connor develops a unique conception of the power of cinematic apparatuses. He expands our understanding of how cinema effectively resonates with its viewers and draws our attention to the constitution and control of aesthetic-cinematic communities.
Authors
- Bibliography, etc. Note
- Includes bibliographical references: p. [195]-202
- Control Number Identifier
- CaOOCEL
- Dewey Decimal Classification Number
- 306.4/85
- General Note
- Includes index Issued as part of the desLibris books collection
- ISBN
- 9780773570351 0773523979
- LCCN
- PN1995
- LCCN Item number
- O36 2002eb
- Modifying agency
- CaBNVSL
- Original cataloging agency
- CaOONL
- Physical Description | Extent
- 1 electronic text (209 p.)
- Published in
- Canada
- Publisher or Distributor Number
- CaOOCEL
- Rights
- Access restricted to authorized users and institutions
- System Control Number
- (CaBNVSL)slc00200440 (OCoLC)181843426 (CaOOCEL)400630
- System Details Note
- Mode of access: World Wide Web
- Transcribing agency
- CaOONL
Table of Contents
- Contents 6
- Acknowledgments 8
- Introduction 12
- 1 The Affective Associations 24
- 2 Three Social Apparatuses – and a Fourth? 42
- 3 Cinema's Optics 82
- 4 The Close-up: Circuits of Communication 103
- 5 The Out-of-field: Sociability and Sociality 116
- 6 The Flashback: Cultural Dislocations and Global Actions 136
- 7 Cinematic Interaction: Spatial Displacements and Global Scenes 156
- 8 Symbols and Secrets 171
- Conclusion 189
- Notes 200
- References 204
- Index 212
- A 212
- B 212
- C 213
- D 213
- E 214
- F 214
- G 214
- H 215
- I 215
- J 215
- K 215
- L 215
- M 215
- N 216
- O 216
- P 216
- R 216
- S 216
- T 218
- U 218
- V 218
- W 218
- Z 218
